The end of the year is often a time for reflection. When looking back on 2015, I think that this was one of the most stand out years for Pelikan in recent memory and I wanted to recap what are, in my opinion, the top 5 fountain pen releases of the year. What makes a pen worthy of this list may not be its form factor or sales figures but rather what it stands for in terms of broader market appeal and what it signals in terms of the company’s direction with its fine writing instruments. 1) M200 Café Crème The Café Crème was announced at the end of 2014 as the second pen of the 2015 line-up. The cream colored barrel, rich brown ink window, and dark chocolate appearing cap, section, and piston knob really set this release apart. It was the first M2xx in a while that wasn’t a demonstrator and not simply a rehashing of prior models with just some minor variations in trim. I think this release showed that creativity was alive and well in Hannover and that the Classic line was more than just an afterthought. While many people don’t like the smaller size and […]
Read More
Thanks to Maybelline for inviting me to write a guest post here on On Fountain Pens! I am honored to ramble about pens and inks! I thought this would be an interesting topic, since I did indeed buy an expensive pen this year. That pen is the Namiki Yukari Nightline Moonlight fountain pen. I saw it on the website of La Couronne du Comte and couldn’t ignore it. I remember the years where a PaperMate ballpoint with grip was exciting, because it wasn’t a Bic Cristal. I also remember when I bought my first Lamy AL-Star and I thought I would never spend more than $100 on a pen. Then it was $250. Then it was $500. Then I was certain I would never cross the $1000 mark, because that would be crazy, let alone anything over that. And it is. I won’t argue with that. It is definitely crazy, but I justify it to myself in this way: I’m madly in love with the thing. I had a good few pens in my case that I had acquired over several years in the more affordable and far more reasonable price range of $100 – $300. Still expensive, but not […]
Read More
For most Christmases that I can remember, I’ve always clamoured to receive the brightest, shiniest and newest products for the year. This year however, I’m in more of a reflective mood. This Christmas, I thought it might fun to take a walk down memory lane and look at the stuff that could have been and honor the inks that have been made unavailable (either declared as a limited edition, or being put out of production). I found 5 inks that fit the bill, along with their alternative that are available in the market that we should treasure. Let’s begin! 1. Sailor Jentle Apricot Who could forget this beautiful ink? Sailor recently discontinued the old Jentle line in mid 2014, leaving a trail of disappointed fans in its wake. With their new release of the Four Seasons series, there was no orange in the series to replace Apricot, as with some of the other colours in the older series. Apricot is a bright yelllow-orange which would accurately depict its name, and a subtle orange sheen to go with it. Here are some suggested replacements: Iroshizuku Yu-Yake Noodler’s Apache Sunset Diamine Blaze Orange Pelikan Edelstein Mandarin 2. Montblanc Alfred Hitchcock This is one […]
Read More
My name is Nick Stewart and I am a creative director based in Rochester, UK. Since June this year, I have been on a mission to swab test fountain pen inks using water and bleach. Why? Because I believe that fountain pen inks have qualities that can be exploited for purposes other than just handwriting. My test process is very simple: I saturate an area of heavy rough textured water colour paper and then add a drop of ink into that wet area. The ink blends with the water and reduces in concentration as is spreads away from the point of entry. As the ink comes out of solution the dyes that make up the ink can be observed in different areas as the paper dries. And once dry I can write or paint on top with bleach which reacts at a different intensity depending upon the density of the ink underneath. The reactions can vary from a dull gold over dense ink areas to a vibrant neon effect over less dense areas. But what is of key importance is that it is only with fountain pen inks that this bizarre reaction happens. This process is very much serendipity-led and […]
Read More
‘Tis the season of giving, pen lovers all over the world giving, happily I might add, our hard-earned money to pen shops everywhere! The end of the year also marks the receiving of the annual wage supplement (AWS) also known as the 13th month payment from our employers for many of us. Maybe you are also one of the lucky ones who have variable bonuses this year. This is the time of the year, when most of us are flushed with cash that didn’t got ear marked for something else within the first week. I am not quite sure if this is how companies work in other countries but this definitely applies to Singaporeans. Anyway, I am not here to give you a gift guide for the pen lover in your life. This is a 2016 wishlist of the pens I hope to add to my collection. Maybe this list can serve as a guide for your own wish list for 2016. Number 5: Pilot Custom 742 with the Falcon nib This has been a go-to fountain pen for people looking for the modern day flex nib. I have tried the falcon nib many times during the monthly local pen […]
Read More
The days pass quickly and soon enough, the end of the giveaway series has come! Here is Part 6 of the ink series. It covers 3 inks – Solferino, Verdigris, Verdura, which also are the last 3 inks in the R&K series (and alphabetically too). When going through a series of colours like that, it is common to ask about favourites. I would say that I love all the inks, but maybe that sounds diplomatic. My colour preferences usually falls among magenta-pink-purple, and orange. I am disappointed that the R&K series doesn’t have a wonderful orange such as the Sailor Jentle Apricot, or J. Herbin Orange Indien, two orange inks that I like very much. Helianthus is the closest of the lot, but not a very practical ink for heavy use. R&K does present a series of very attractive ink colours, so to force me to choose my top 3 favourites, I’ll go with (in no particular order): Alt-Goldgrün, for being so unique and special enough to make me like a green ink); Salix, for having that wonderful shade of dark blue and having other properties such as being semi-permanent; and Morinda, for being such a unique, earthy red colour which certainly […]
Read More
Welcome to Part 5 of my Rohrer & Klingner giveaway! I hope you’ve enjoyed the series so far, and I’ve received many comments about the inks. It’s interesting to see everyone’s perspectives on their own favourite colours. I had initially thought that Alt-Goldgrün is the classic favourite, but it seems like other ink colours such as Helianthus (surprisingly), Salix, and Magenta were also mentioned! Let’s see if you like the colours being featured today… Scabiosa • Scabiosa • Scabiosa • Scabiosa Scabiosa is another iron gall ink, just like the Salix, which means that it is supposed to be rather permanent on paper. Scabiosa refers to a type of honeysuckle, with pretty, round flowers, and embellishments among the petals, making it look like a pincushion. It’s no wonder that they also call it the “pincushion flower”. When searching for Scabiosa, I came across mostly purple flowers, but there are some that are deep, brownish-red, just like the ink. Scabiosa has a colour that I might associate with “liver”, but it inclines towards purple rather than brown. Just like Salix, the swab comes out a little lighter in shade, but when writing with it, you can see that it’s a deep, almost royal red-brown-purple […]
Read More
Wow, Parts 1 to 3 of my Rohrer & Klingner inks seem to be going pretty well especially with the giveaway! Here is to continue the series, and of course, another 3 inks will be given away at the end of it. This has been made possible thanks to Fook Hing Trading Co., so do drop by their website and Facebook page to say hi if you have a minute. All opinions of the inks are my own and have not been influenced by the sponsor. Yesterday we talked a bit about the bottle design, and I’ll go into a little more detail today. Around the bottle is a simple white label which describes the ink. In four languages – German, English, French and Italian, the label describes the name and use of the ink. It claims to be “for fountain pens, steel nibbed pens, dip pens and individual writing utensils for calligraphy”. With the pretty colours I would be tempted to use it for brush lettering for sure, but calligraphy with a dip nib might not fare so well because a number of the Rohrer & Klingner inks (as with many other fountain pen inks) do not cling well to […]
Read More
This is part 3, the next 3 inks in the Rohrer & Klingner series. In this part, I introduce Helianthus, Königsblau, and Leipziger Schwarz. Before that, let me just talk a little bit about the ink bottle design. I do rather like the Rohrer & Klinger ink bottle design as it is very simple, easy to grip in the hand, does not topple over easily, is weighted enough but not so much that it gets heavy. At the base of the bottle there are serrated marks to give it a little more grip when you set it on a surface. On the top, the aluminium cap screws firmly around the bottle enough to seal it, preventing leakages, but does not make it so tight to be difficult to open. Helianthus • Sunflower • Tournesol • Girasole The Helianthus is the sunflower, but it isn’t the German name of it. The German name for sunflower is “Sonnenblume”. I suppose this shade of yellow is as sunflowery as it can get, reflecting pretty well the actual colour of the petals of a Helianthus. I seldom explore bright colours, but I actually like this one very much. The yellow is bold and strong, and while it is […]
Read More
I hope you liked the first part of the Rohrer & Klingner Ink series. Today we have the next 3 inks in alphabetical order, being Blu Mare, Cassia, and Fernambuk. Rohrer & Klingner ink bottles are made of amber-coloured glass with an aluminium screw cap. The reason why some ink suppliers like to fill their inks in amber glass is that some inks may be photosensitive, which means that they might degrade or change in colour over time, when exposed to light. It usually isn’t as bad as it sounds, but if you are very particular about it, just don’t store your inks under bright sunlight and you would do just fine. Blu Mare • Sea Bluish • Bleu Marin • Blu Mare I get a little confused over the naming of the Rohrer & Klingner inks at times. Here we have Blu Mare, which sounds like Italian for “blue sea”. But maybe a name is just a name. Blu Mare is a delightful cyan, a very bright and attention-grabbing colour. I would associate the colour to some of the gel pens we used during high school days to write girly notes to one another. In a more picturesque manner, […]
Read More